14th　～Some・Seiryukan　an art museum specifically for textile dyeing／kyoto～

Past Seiryuten exhibitions

１st｜２nd｜３rd｜４th｜５th｜６th｜７th｜８th｜９th
１０th｜１１th｜１２th｜１３th｜１４th｜１５th｜１６th｜１７th

14th Seiryuten

14th Seiyuten
Apr 27 - May 2 , 2004
Kyoto Municipal Museum（Okazaki Park）
organizer／Seiryukai
sponsor／NHK Broadcasting Corporation　Mainichi Shimbun
cosponsor／DAIMATSU Co.,Ltd.
reference／14th Seiryuten catalogue 2004publication
(editing)Seiryukai secretariat

Exhibiting artists
Hosoda Azumi／Kawata Koro／Naito Hideharu／Haketa Yuko／Mitsuhashi Jun／Ishiduka Hiroshi／Shindo Hiroyuki／Yahata Harumi／Yamaguchi Michie／Kikuchi Manabu／Kitagawa Nanae／Zenta Yasutoyo／Kagajo Ken／Kanai Daisuke／Kobayashi Syoko／Suzuki Nobuyasu／Tate Masaaki／ Asada Shuji／Isa Toshihiko／Ishida Morito／Ichimura Tomio／Ihaya Keijin／Kasugai Michiko／Kato Yuki／Kanesaki Keiko／Kurauchi Hisashi／Kurihara Chie／Shibuya Kazuko／Tajima Yukihiko／Toba Mika／Nakai Teiji／Nagao Norihisa／Nagira Tsuyoshi／Fukumoto Shigeki／Fukumoto Shihoko／Miura Kageo／Yoshida Teruyoshi／Yoshibiki Arisa

Seiryutei

The villa retreat at Nanzenji Temple called Seiryutei by Togo Heihachiro.

Email for comments

Email address to contact the Some・Seiryukan for comments and enquiries

Some time ago, I wrote a book titled In the Beginning was the Image (published by Iwanami Shinsho). Through my study of artistic phenomena throughout the world, it became clear to me that the image is not, as most people mistakenly think, something that belongs under the rubric of Logos, or the Word. My point was that the "In the beginning was the Word" of Genesis is a false assertion, and that in fact it was the Image that came first. The function of the Image first made possible symbolic thought, which in turn gave rise to philosophy, religion and science. Yet there is still a strongly-held belief that Logos is primary, and the Image only of secondary status. Those who write are held in higher esteem than those who make pictures, and so illiterate Africans are despised as "uncivilized", and anxious mothers drive their children from in front of the TV set to read books at their desk. All this is owing to the fact that we have a deeply ingrained habit of translating everything in terms of the world of Logos.
Of course, I am not denying Logos its place. All I am pointing out is the original primacy of the Image in human life, and the fact that human culture is characterized by the Image's transformation into Logos. the SOMÉ・SEIRYU exhibition springs from the same fundamental idea, in that by promoting dye art in Kyoto, the world capital of dye art, it is playing its part in the restoration of the much-abused Image to its rightful place.

Index of exhibited works


coral snow Hosoda Azumi cotton、fiber reactive dye／ wax-resist dyeing 100(H)X330(W)cm view works	Yakusokunochi Kawata Koro silk、wax-resist dyeing technique、 paste-resist dyeing／ acid dyes、collage 160(H)X385(W)cm view works	Oomatsu Naito Hideharu cotton／indigo stencil dyeing、 indigo dyeing、vegetable dye 180(H)X344(W)cm view works

彩滲 Haketa Yuko cotton、fiber reactive dye／ shaped-dye 300(H)X160(W)cm view works	彩滲 Haketa Yuko cotton、fiber reactive dye／ shaped-dye 300(H)X160(W)cm view works	彩滲 Haketa Yuko cotton、fiber reactive dye／ shaped-dye 300(H)X160(W)cm view works

Mizunitoketayoru Mitsuhashi Jun silk、string、wood、brass、 mineral、feather ／wax-resist dyeing 160(H)X500(W)X10(D)cm view works	BLUE ZONE series-Waterfall- Ishiduka Hiroshi linen、hemp string、wood／ block resist dyeing、 other techniques 250(H)X720(W)X60(D)cm view works	AizoraⅠ Shindo Hiroyuki Rateiforia／indigo dyeing、 shaped-dye 190(H)X120(W)cm view works

Baroque Flowers Ⅰ Yahata Harumi silk、acid dyes、pigment、gold leaf／ shaped-dye、screen print、 other techniques 176(H)X88(W)cm view works	雪天紋様四曲屏風 Yamaguchi Michie cotton、Indanthrene dye／ shibori dyeing 200(H)X320(W)cm view works	泥土錆絹布 Kikuchi Manabu silk／rust dyeing 284(H)X516(W)cm view works

泥土錆絹布 Kikuchi Manabu silk／rust dyeing 284(H)X516(W)cm view works	Ame（the rain from the womb） Kitagawa Nanae silk、acid dyes、pigment／ stencil dyeing、direct dyeing technique、stencil 181(H)X340(W)cm view works	TIDAL WAVE Zenta Yasutoyo cotton／stencil、silkscreen dyeing 300(H)X94(W)cm view works

TIDAL WAVE Zenta Yasutoyo cotton／stencil、silkscreen dyeing 300(H)X94(W)cm view works	TIDAL WAVE Zenta Yasutoyo cotton／stencil、silkscreen dyeing 300(H)X94(W)cm view works	TIDAL WAVE Zenta Yasutoyo cotton／stencil、silkscreen dyeing 300(H)X94(W)cm view works

Strokes 刷毛物（バケモノ）-夜の要素- Kagajo Ken gingham stitch silk thread、 Remazol dye／paste dyeing 400(H)X110(W)cm view works	Strokes 刷毛物（バケモノ）-夜の要素- Kagajo Ken gingham stitch silk thread、 Remazol dye／paste dyeing 400(H)X110(W)cm view works	Sokonisonzaisurumono '04 Kanai Daisuke cotton、pigment／ silkscreen dyeing 190(H)X435(W)cm view works

Kazenomachi Kobayashi Syoko silk、acid dyes／ wax-resist dyeing 180(H)X400(W)cm view works	Mukogawanosonzai Suzuki Nobuyasu butcher、cold gossamer、 silk、copper／iron rust dyeing、 stencil、hand-dyeing、kakishibu 205(H)X105(WX60(D))cm view works	Yuragi-the beginning- Ao/Shiro/Aka Tate Masaaki cotton、fiber reactive dye／ wax-resist dyeing 180(H)X540(W)cm view works

ＷＯＲＫ－S'-1 Asada Shuji cotton、resin pigment／stencil 197(H)X370(W)cm view works	San Isa Toshihiko Japanese paper／stencil dyed 240(H)X240(W)cm view works	Koun Ishida Morito cotton／fiber reactive dye、 wax-resist dyeing 170(H)X360(W)X5(D)cm view works

Kiokutokyoko・Ⅱ Ichimura Tomio silk、kakishibu、pigment／ silkscreen dyeing 160(H)X160(W)cm view works	Sunanoumi Ihaya Keijin cotton、fiber reactive dye／ wax-resist dyeing 185(H)X370(W)cm view works	Shasonoirodori Kasugai Michiko silk、Cerius dye、gold、 platinum foil／copy paste （direct dyeing technique） 200(H)X355(W)cm view works

NAXI ANCIENT MUSIC Kato Yuki linen、direct dyes／wax-resist dyeing、polymer resin dyeing 177(H)X425(W)cm view works	｢導かれし運命｣Ⅱ -源氏物語・澪標の帖- Kanesaki Keiko cotton、fiber reactive dye、 pigment／stencil paste-resist dyeing、stencil、plus other techniques 120(H)X170(W)cm view works	｢導かれし運命｣Ⅱ -源氏物語・澪標の帖- Kanesaki Keiko cotton、fiber reactive dye、 pigment／stencil paste-resist dyeing、stencil、plus other techniques 120(H)X170(W)cm view works

｢導かれし運命｣Ⅱ -源氏物語・澪標の帖- Kanesaki Keiko cotton、fiber reactive dye、 pigment／stencil paste-resist dyeing、stencil、plus other techniques 120(H)X170(W)cm view works	shirokitsukiwoharamu Kurauchi Hisashi Japanese paper、pigment、 platinum leaf／stencil dyeing （paste-resist dyeing） 180(H)X360(W)cm view works	Dakaretatsuki -Moon held in land Kurihara Chie hanyou kibira hemp／ wax-resist dyeing、 etching、drawings 220(H)X170(W)cm view works

Huyu-Yatsugatakesanchu- Shibuya Kazuko cotton、sumi ink、pigment／stencil 166(H)X498(W)cm view works	Kizashihaatta。 Tajima Yukihiko cotton、polyester、pigment、 fiber reactive dye／ stencil dyeing、resin discharge、 resin resist dyeing、 drawing by dispersing dye stuff 275(H)X460(W)cm view works	Kizashihaatta。 Tajima Yukihiko cotton、polyester、pigment、 fiber reactive dye／ stencil dyeing、resin discharge、 resin resist dyeing、 drawing by dispersing dye stuff 275(H)X460(W)cm view works

Tsukiakaride Toba Mika Hakusan tsumugi silk、 acid dyes／stencil dyeing 195(H)X255(W)cm view works	Sanso Nakai Teiji linen／rozome indigo dyeing as a base while combining other vegetable dye 140(H)X160(W)cm view works	WagayanosotetsutoBougainvillaea Nagao Norihisa kumohada hemp washi paper、 sumi ink、pigment／ paste-resist dyeing、 stencil dyeing、drawings 180(H)X540(W)cm view works

Hankasho Nagira Tsuyoshi linen、fiber reactive dye、 pigment／wax-resist dyeing 180(H)X320(W)cm view works	不踰矩（のりをこえず）-紫- Fukumoto Shigeki cotton、Remazol dye／ yuhata、wax-resist dyeing resin 250(H)X120(W)cm view works	不踰矩（のりをこえず）-紫- Fukumoto Shigeki cotton、Remazol dye／ yuhata、wax-resist dyeing resin 250(H)X120(W)cm view works

不踰矩（のりをこえず）-橙- Fukumoto Shigeki cotton、Remazol dye／ yuhata、wax-resist dyeing resin 250(H)X120(W)cm view works	不踰矩（のりをこえず）-橙- Fukumoto Shigeki cotton、Remazol dye／ yuhata、wax-resist dyeing resin 250(H)X120(W)cm view works	蹣跚麻慢幕-月影- Fukumoto Shihoko hemp、rayon／indigo dyeing、 shibori、dyeing gradations 195(H)X700(W)cm view works

SaishiutaⅡ Miura Kageo torinokogami、Hakusan tsumugi silk、pigment／fabric inlay、stencil、 collage、drawings 140(H)X300(W)cm view works	Shokushinojigen - Ichijo2004 Yoshida Teruyoshi tenjiku cotton、vegetable dye （logwood）、bamboo、 wisteria、cotton cord、cashew／ brush dyeing、quilting 170(H)X170(W)X10(D)cm view works	Tokeidainihikaruasa Yoshibiki Arisa silk、acid dyes（part）／ blueprint、wax-resist dyeing（part） 183(H)X276(W)cm view works

Machinotobira Heyanomon Yoshibiki Arisa silk、acid dyes（part）／ blueprint、wax-resist dyeing（part） 183(H)X276(W)cm view works

English

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Some・Seiryukan　～dye museum／kyoto～

Meirin-biru 6th floor, 550-1 Yamabushiyama-cho,550-1　Muromachi-dori Nishiki Koji Agaru, Nakagyo-ku,
Kyoto City JAPAN 604-8156 TEL: 075-255-5301 / Opening hours / 10 am~6 pm Closed Mondays(or day following
if public holiday),August, New Year holiday period.May also be temporarily closed for exhibition changeovers.

Some・Seiryukan　～dye museum／kyoto～

Past Seiryuten exhibitions

Some・Seiryukan　How to use

Some・Seiryukan tomonokai

Seiryutei

Some・Seiryukan Links

Email for comments

Some・Seiryuten

Somé・Seiryukan Director Kimura Shigenobu

Index of exhibited works

Some・Seiryukan　～dye museum／kyoto～

Some・Seiryukan ～dye museum／kyoto～

Past Seiryuten exhibitions

Some・Seiryukan How to use

Some・Seiryukan tomonokai

Seiryutei

Some・Seiryukan Links

Email for comments

Some・Seiryuten

Somé・Seiryukan Director Kimura Shigenobu

Index of exhibited works

Some・Seiryukan ～dye museum／kyoto～

Some・Seiryukan　～dye museum／kyoto～

Some・Seiryukan　How to use

Some・Seiryukan　～dye museum／kyoto～