The third　～Some・Seiryukan　an art museum specifically for textile dyeing／kyoto～

Past Seiryuten exhibitions

１st｜２nd｜３rd｜４th｜５th｜６th｜７th｜８th｜９th
１０th｜１１th｜１２th｜１３th｜１４th｜１５th｜１６th｜１７th

The third Seiryuten

3rd／Seiryuten exhibitions
May 25 - 30,1993
Kyoto Municipal Museum（Okazaki Park）
organizer／Seiryukai
sponsor／NHK Broadcasting Corporation　Kyoto Shimbun
cosponsor／Kyoto Chuo Shinkin Bank　DAIMATSU Co.,Ltd.
reference／The third Seiryuten catalogue １９９３publication
(editing)Seiryukai secretariat

Exhibiting artists
Asada Shuji／Isa Kunio／Isa Toshihiko／Ichimura Tomio／Inagaki Michiko／Ihaya Keijin／Okubo Naomaru／Ogino Mihoko／Kato Shojiro／Kato Yuki／Kanesaki Keiko／ Kawata Koro／Kitano Tsukio／Kuroda Toru／Sano Takeo／Shibuya Kazuko／Shimura Mitsuhiro／Takaya Mitsuo／Tajima Yukihiko／Teraishi Shosaku／Naito Hideharu／Nakai Teiji／Nakano Mitsuo／Nishijima Takeshi／Hinoue Chiaki／Hiroshige Akira／ Fukumoto Shigeki／Fukumoto Shihoko／Honda Masashi／Miura Kageo／ Minagawa Taizo／Motono Toichi／Moriguchi Kunihiko／Yahata Harumi／Yamaguchi Michie／Yamamoto Tadayoshi／Yoshida Teruyoshi

Seiryutei

The villa retreat at Nanzenji Temple called Seiryutei by Togo Heihachiro.

Email for comments

Email address to contact the Some・Seiryukan for comments and enquiries

In America, textile dyeing is referred to as “surface design”. However to us Japanese, this sounds odd because “dyeing” is not simply designs on the surface, but images that penetrate through to the backside of the cloth and paper. Therefore, the terms someru (dyeing) and shimishimi (staining) etc. have emerged. In Basho’s poem, “ Into the serene rock, the sound of cicadas penetrates…” the word “shimi-iru” is translated into English as “penetrate” or “sink in”. Therefore our Japanese sense seems quite different. There’s nothing quite like it. With Kyoto as a leading center, textile dyeing in Japan is well-known as a truly unique art. Next year artists active in the Kyoto area will once again hold the Somé Seiryuten exhibition. This year also will feature large scale folding screens and panels. The past two exhibitions brought in a large audience thanks to support from newspapers and television. This year’s Seiryuten exhibition will surely bring together many impressive works. It is with great admiration that I open the third Somé Seiryuten exhibition.

Index of exhibited works

		currently being adjusted
Work C-1 Asada Shuji cotton、resin pigment／stencil 105(H)X315(W)cm view works	Kosyusukeizu folding screen Isa Kunio Hakusan tsumugi silk／stencil dyed 168(H)X170(W)cm view works	Watashinoumi１・２・３ Isa Toshihiko Japanese paper／stencil dyed 197(H)X107(W)cm×3 view works

孤影山容 Ichimura Tomio cotton、acid dyes、pigment／silkscreen dyeing 180(H)X320(W)cm view works	Fu Inagaki Michiko linen、vegetable dye／stencil dyeing 310(H)X240(W)cm view works	Fu Inagaki Michiko linen、vegetable dye／stencil dyeing 310(H)X240(W)cm 怨・静 each150(H)X95(W)cm view works

Rokugatsu Ihaya Keijin cotton、fiber reactive dye／ wax-resist dyeing 162(H)X324(W)cm view works	Tasogarenotoki Okubo Naomaru cotton、Procion dye／ wax-resist dyeing 175(H)X160(W)cm view works	Hako series11"Tsuioku" Ogino Mihoko cotton／stencil dyed、 paste-resist dyeing 210(H)X180(W)cm view works

Suimon Kato Shojiro tsumugi、acid dyes／ stencil dyeing 175(H)X316(W)cm view works	Kaidan-Yokusitu-/-Hotel-/-Yoasobi- Kato Yuki Hakusan tsumugi silk／ wax-resist dyeing 180(H)X133(W)cm×3 view works	Koyoi-Yorunisakuhanaha･･･ Kanesaki Keiko cotton、fiber reactive dye／ stencil paste-resist dyeing、 stencil、other 170(H)X140(W)cm view works

Situnai Kawata Koro cotton／wax-resist dyeing technique、paste-resist dyeing 190(H)X255(W)cm view works	Tenshudohuu Kitano Tsukio gasenshi paper、pigment／ wax-resist dyeing 168(H)X340(W)cm view works	Kitanobairinzu Kuroda Toru hemp・cotton blend／stencil dyeing 150(H)X140(W)cm view works

"No"nojinouta Sano Takeo cotton、fiber reactive dye／ wax-resist dyeing 100(H)X90(W)cm view works	Morinouta Shibuya Kazuko Japanese paper、direct dyes、 pigment color／ immersion dyeing 184(H)X430(W)cm view works	対話は腹腔を飛翔する Shimura Mitsuhiro cotton／direct dyeing technique 135(H)X105(W)cm view works

Taiwahahukkowohishosuru Shimura Mitsuhiro cotton／direct dyeing technique 105(H)X130(W)cm 100×100 126×100 105×100 100×100 view works	Hikaritokumo Takaya Mitsuo shinshu pongee、acid dyes、sumi ink／ wax-resist dyeing 170(H)X170(W)cm view works	Rojunihisomu Tajima Yukihiko cotton、fiber reactive dye／stencil dyed 300(H)X500(W)cm view works

Rojunihisomu Tajima Yukihiko cotton、fiber reactive dye／ stencil dyed 164(H)X326(W)cm view works	Korenofuyu Teraishi Shosaku cotton／wax-resist dyeing 165(H)X160(W)cm view works	Sankai Naito Hideharu linen、indigo dyeing／indigo stencil dyeing 179(H)X514(W)cm view works
		currently being adjusted
Sorin Nakai Teiji linen、indigo、vegetable dye／ wax-resist dyeing 172(H)X172(W)cm view works	Nepalkiko C・D・E<part of 5> Nakano Mitsuo Japanese paper／stencil dyeing、stencil 90(H)X60(W)cm×3 view works	Yukiyamayugizu Nishijima Takeshi Hakusan tsumugi silk、Indanthrene vat dye／stencil paste-resist dyeing 178(H)X370(W)cm view works

nikyoku folding screen｢kokyo｣（tokainoasa） Hinoue Chiaki cotton、fiber reactive dye／ wax-resist dyeing 184(H)X174(W)cm view works	Sakuhin-93-Ⅰ Hiroshige Akira Japanese paper、oil-based ink、 Water-based ink／ woodblock print、collograph print 170(H)X370(W)cm view works	Tachiwaki'92-A Fukumoto Shigeki Turfan cotton、fiber reactive dye、 platinum foil／wax-resist stencil dyeing、pressed foil 186(H)X227(W×10（D）)cm view works

Jiku-'93 Fukumoto Shihoko linen／indigo dyeing 180(H)X150(W)cm view works	fetish-OHWD Honda Masashi cotton／screen print 460(H)X450(W)cm view works	Meyondai（Myoganome、Neginonae、 Hasunome、Fukinoto） Miura Kageo Hama tsumugi、vegetable dye、rock pigment／wax-resist dyeing 108(H)X47(W)cm×2 view works

Meyondai（Myoganome、Neginonae、 Hasunome、Fukinoto） Miura Kageo Hama tsumugi、vegetable dye、rock pigment／wax-resist dyeing 108(H)X47(W)cm×2 view works	Ryukyusanka Minagawa Taizo linen、platinum foil、silver foil／ wax-resist dyeing 190(H)X182(W)cm view works	Sakkyokuka・A/Sakkyokuka・B Motono Toichi cotton／wax-resist dyeing 170(H)X170(W)cm×2 view works
currently being adjusted
diagonal '93Ⅰ、Ⅱ、Ⅲ、Ⅳ Moriguchi Kunihiko kumohada hemp washi paper、 pigment made from dye and mud／ yuzen dyeing 84(H)X84(W)cm×4 view works	Kukanniarumono Yahata Harumi cotton、Japanese paper、dye、 pigment、gold leaf／ Silkscreen printing・ monotype・collage・ frottage・combining techniques with drawing 225(H)X150(W)cm×2 view works	Galaxy　930327 Yamaguchi Michie cotton／Cyanotype process 250(H)X524(W)cm view works

Yonkyokuzome folding screen Kyoko Aoikisetsu Yamamoto Tadayoshi altered tsumugi silk／roketsu-screen、 wax-resist dyeing by hand 200(H)X320(W)cm view works

English

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Some・Seiryukan　～dye museum／kyoto～

Meirin-biru 6th floor, 550-1 Yamabushiyama-cho,550-1　Muromachi-dori Nishiki Koji Agaru, Nakagyo-ku,
Kyoto City JAPAN 604-8156 TEL: 075-255-5301 / Opening hours / 10 am~6 pm Closed Mondays(or day following
if public holiday),August, New Year holiday period.May also be temporarily closed for exhibition changeovers.

Some・Seiryukan　～dye museum／kyoto～

Past Seiryuten exhibitions

Some・Seiryukan　How to use

Some・Seiryukan tomonokai

Seiryutei

Some・Seiryukan Links

Email for comments

Some・Seiryuten

Somé・Seiryukan Director Kimura Shigenobu

Index of exhibited works

Some・Seiryukan　～dye museum／kyoto～

Some・Seiryukan ～dye museum／kyoto～

Past Seiryuten exhibitions

Some・Seiryukan How to use

Some・Seiryukan tomonokai

Seiryutei

Some・Seiryukan Links

Email for comments

Some・Seiryuten

Somé・Seiryukan Director Kimura Shigenobu

Index of exhibited works

Some・Seiryukan ～dye museum／kyoto～

Some・Seiryukan　～dye museum／kyoto～

Some・Seiryukan　How to use

Some・Seiryukan　～dye museum／kyoto～